穿着莲花Chaouli扮演零件

这一集发电由未能内容的创新讲故事培训供电。雷竞技电竞竞猜雷竞技raybet提现在这种沉浸式和互动的故事驱动的经验中增加购买。您的团队在哪个讲故事技术的最新项目，原型和投票 - 并通过25个史诗般的创新故事的史诗例子来启发。了解更多UntoldContent.com/雷竞技raybet提现trainings/innovation-storytelling-Tringstelling.

凯蒂泰勒(00:00:04)欢迎来到未罗革说的创新故事，在那里我们扩大了不带无国外内容的洞察力，影响和创新的解放故事。雷竞技电竞竞猜我是你的主人，Katie Trauth Taylor。我们今天的客人是莲大蔡里。她是图像治疗师International Inc.的总裁兼创始人，以及全球认可的思想领导者风格专家，导师和教育家。Chaouli女士通过租借衣橱提供转型。我迫不及待地想和你在一起关于创新，讲故事以及如何表达以及我们穿着的东西以及我们的自我形象。谢谢你，莲花。

莲大志河[00:00:45]谢谢你,凯蒂。谢谢你为这个创新的想法创造空间，这是40年前或35年前当我第一次告诉人们这个的时候，他们会对我说，你在做什么，你想做什么?我说，是的，我想和理疗世界，形象世界，服装世界结合在一起，因为无论你走到哪里，你就在那里。而你不能，你不能，喜欢，留下你的碎片。我的意思是，人们尝试，但那是被称为精神分裂症。所以我决定有这个关键时刻，我看到这令人惊叹，强大的女性并没有把自己带到谈话，就像一块总是隐藏，因为他们并不大笑。通常那件是我们居住在我们身体的杰作。而且我想，多么奇怪。你知道，你有一个三重博士学位。而你养了孩子们，你会说吨语言。但是，当谈到这个身体时，这杰作我们才能活着生活，你没有神秘。所以我在杰作域中创建掌握的旅程中。

凯蒂泰勒(00:02:09)我喜欢这个故事的措辞，我们今天的谈话中也有一个惊喜，我想确保我们在电话中包括她。但是空军公司Aflex的首席信息官j·j·斯诺也和我们一起讨论这一结合，即我们可以更加创新地思考我们的衣橱及其对自我形象的影响。利阿娜，跟我说说我是多么喜欢你说的你的身体是一件杰作它本身是独一无二的。我想很多人都不会这么想。我知道，特别是对女性来说，我们有各种各样的关于冒名顶替者综合症和现象的问题。我们最近刚和我们的一个客户在Untold Content做了一次关于冒名顶替者综合征的大规模荟萃分析。雷竞技电竞竞猜它确实对女性和少数族裔产生了更强烈的影响，让她们觉得自己不应该出现在谈判桌上。那么衣柜在其中扮演了什么角色呢?

莲大志河[00:03:14]是的，一个美丽的谈话是从世界开始的。美好的谈话，凯蒂。所以我所知道的，就像在我的身体一样，了解并理解和生活的经历。允许衣橱赋权的力量。自从我小时候以来，我已经活着。我以多种不同的方式生活，以及你和我甚至在这里谈论这一点，为什么图像治疗师国际成为以及图像治疗的过程是如何生来的，实际上是我的母亲。所以我的母亲是为什么这甚至发生在我的惯例中的原因。我会称之为练习，因为它是日常生活。这就像你的皮肤。然后是你的第二个皮肤，这是你的衣服。 So our clothing is closer to us than our breastfeeding to children. Our clothing is closer to us than our lover. Our clothing is constantly on our skin, speaking through our skin to our brain and our heart and our soul. And wherever we show up that little conversation about how that clothing is fitting, how it feels, how it makes us feel, what we give it permission to show us up as all of that comes into the room when you show up. And I’ve known that since I was a child and I didn’t realize that that was like the driving factor until my mom one day I was speaking to like two thousand image consultants. I was doing a keynote in Washington, D.C., and she lived in New York. And my mother and I have had a very tumultuous relationship, very difficult relationship until I was about forty five. And so she comes into this room and she says, I want to hear you speak. I’ve never seen you speak on a big stage. She comes in, she gets the keynote. I don’t realize that she’s in the breakout session, which has about one hundred and twenty women in it. And I just say please ask your questions at the end. And she starts speaking and I hear her voice and everything inside me just collapses. And I think, oh my God, what is this? My mom, what is she going to say? And she says, I don’t have a question, but I have a comment. I want to tell you a story. And I’m at the front of the room losing my breath. And she says, inches, as I wanted to tell you, that when I was a young woman, I was very sick in bed all the time. And my two and a half year old daughter would go into my closet, rip on the clothes until the hanger broke, bring everything laid out on top of the bed that I was sleeping in with the covers over my face because I was so sick. And the shoes and the scarves and the hat and the purses. And then she’d come and she’d gently lift the covers and she’d whisper in my ear, Mommy, Mommy, please get dressed. Because when you get dressed, then you will feel beautiful. And then you and I can go out and we can have fun together. Mommy, Mommy, please get dressed. And in tears. She continues and says, I could not follow my daughter’s invitation, but you can because the same little girl that dressed me is the same woman that has taught you everything that she knows. And I know how wonderful she is because I was her first client.

凯蒂泰勒(00:06:46)哦，我的天啊。

莲大志河[00:06:48]所以我妈妈是原因every time I see a woman in pain, in the discomfort of this beautiful masterpiece, that we get to live it because she’s too big, too fat to heavy, too skinny, too tall, too dark, too brown, too loud, too soft, too quiet, too boobs, too big as… too big, whatever it is, whatever the conversation of the less-than-ness of the shame that’s attached to this magnificent masterpiece that we get to live in. Every time I hear it, I feel it. I see it. I want to leap in and I want to pull the covers off these beautiful women’s faces. And I want to say, please put on these beautiful clothes, because when you do, we can all go out and play together.

凯蒂泰勒(00:07:43)是的。哦，我的天啊。莲花，非常感谢你分享这一点。当你在这个人的舞台上，你是如何做出反应的？

莲大志河[00:07:59]这个房间应该容纳40人。我会要求组织者做一个更大的突破来给我一个更大的突破环节因为在一个主题演讲之后会有更多的人在那里，比你去解散的时候要多。所以有120个人站在一个40人的房间里，我们都一起哭了。是的。我请我妈妈上台。那实际上是我们俩最重要的疗伤时刻之一因为我是年纪最大的。我非常抗拒。我直言不讳。我来自一个波斯犹太家庭，那里的女孩不说话。我16岁就结婚了。 I had my daughter at 18. And I got divorced at twenty one, and so I was always the one, you know, the thorn in people’s sides, especially in my community. And when I created Image Therapists International, it was for the sake of women speaking their truth and living in this body that we get to have without you twisting yourself into a pretzel or or not being good enough because you’re taller or shorter or browner or louder or you know. Why do we as women have to twist ourselves into some pretzel so we both fit fashion. So this process of image therapy that I created this year, the antenna, you be who you are and the clothing needs to be for who you are. It needs to fit your essence. It needs to be fit, your coloring. You’re never going to twist yourself into a pretzel to fit what fashion is saying. And so when I became a fashion designer, it was on the basis of who is in front of me. So I only did custom clothes. And in that process I realized, you know, there’s this mother that comes in with these two twins and she says you have to dress them. But the same because they’re 18 and they have to find husbands. Persian woman, of course. And I said, no, I’m sorry, ma’am. I’m not going to do that. These are two different people. No, they look the same. They get the same dress. They have to find husbands. And asking these two young women about who they are and one of them said, I want this dress and I had to be cut down to here and I want my boobs to show and I want everyone to see me. And I’m going to find myself a husband. And I’m like, OK. I turned to her sister, who looks exactly the same, has exactly the same imprint and looks alike. And this is what I said. So how do you want to be? I don’t want to go to this party. You know what? I don’t even like the way I do. I don’t want to dress. I don’t want to go to this wedding. I’m never going to get married to a boy. So here’s two girls looking exactly the same. And when they opened their mouths, everything changed when you looked at their body language, they were like from two different universes. So I realized, oh, my God, there’s a formula that every human being has. So I created something called your essential formula, give your coloring of your body structure and then you have the sound of your voice. So you’re looking at me right now, Katie, or you saw a picture. Can you imagine what it was like? I’d be very different.

凯蒂泰勒[00:11:44]一点也不。

莲大志河[00:11:45]人们不会去想这些。他们不认为他们进入了一个房间。你那令人惊奇的杰作的三维展示出来了。当然，这并不意味着你必须是一个外向的人。这并不意味着你只能做你自己，因为其他人都已经有人了。

凯蒂泰勒[00:12:01]是的。让我惊讶的是，在我所有的职业经历中，我已经三十多岁了，这是不被谈论的。感觉很深刻，但确实没有太多的透明度和指导。有一个视频，一个TED演讲，我记得，是我在读研究生的时候看的，那时还是研究生。总之，对我来说，我的旅行，我没有多少钱。我觉得和很多年长的男性学者在一起不太合适，我第一次需要在会议上发言，有自己的声音，让别人听到我的声音，在会议上有自己的位置。令人惊讶的是这个TED演讲我会把它链接到节目笔记中。你们可能见过。这是关于在你走上舞台或接受采访之前，你应该如何进行肢体语言。是的，这是关于权力的。 Yes, yeah, yeah, yeah. So I started… I still do that but, but I do feel like it’s a little, it never struck me as having the same level of depth that you’re describing with image therapy. It’s a little superficial, like it’s, it’s sort of like our posture and we pose to reflect power, which is important. But it didn’t go to this level of thinking of inner transformation.

莲大志河[00:13:26]这是艾米的cuddy。我知道你在谈论哪个谈话。并且有一个谈话的空间。是的，它有效。所有这一切都有效，我的工作是什么或我的谈话，我对那些听到这一点的人的邀请并非如此，这不是什么，或者这是不够的，或者这是关于你在这里开始的。我们开始了。所以这是两年前我去了约旦时，我被约旦的公主邀请。我们为图像疗法的治疗艺术创造了更深层次的水平。所以我们是Noor和I.我们对此进行了很多话要说。她说，来吧，来吧。 Let’s talk about this. So so I’m in Jordan. And she had been so unbelievably gracious and we. She’s very much a proponent of women’s rights and girls rights and children having their voice, and she said, well, how do you present this in a way that people actually understand it? And because you haven’t seen this work and when we went around, we had like five, six, seven, eight speaking engagements. And I was presenting this to the bank to bank it to all their managing directors. And half of the women were covered with hijabs, gorgeous, gorgeous women. And what was so interesting about this, I saw, you know, it doesn’t matter whether I’m presenting this in Paris to fashion models or designers or whether I’m presenting it in the Middle East. We all have the same conversation that’s going on inside. At the bottom of the bottom of the bottom, there’s a little tiny conversation of will I ever be good enough, no matter how beautiful you are, no matter how powerful you are, no matter how much you learn, no matter how many degrees we have.这就是我是一个冠军，放弃了那个桶的底部，因为它无效。这不是一个有效的谈话，缺乏的对话，缺乏的对话。这只是一个像黑狼一样的谈话，如果我们喂它，它将活着。

凯蒂泰勒[00:15:48]所以你发现，当你和不同的女性群体一起工作时，内心的声音有一种全球性或普遍性。

莲大志河[00:15:57]是的,有。我们可以回到我们的历史我们可以找到我们签订合同的那一刻。所以，当一个有创意的孩子从他妈妈的卧室里走出来，戴上她妈妈的丁字裤或胸罩，这就足够了。正确的。当她出来的时候，她非常兴奋。听着，我明白。我现在要做这个。正确的。她很兴奋，她想这么做。她想做得好像我很兴奋一样。 Mom and I have a new heart. OK, so she goes out and all the mother has to do is just one single half breath of a disapproving gaze. She’s there to say anything, and we all know that gays, we all know it because we know it in our bodies, we’ve all experienced it as children from our parents, from whoever. And that child in that moment makes a contract. And the contract can be anything from not good enough. I can’t be creative. The child there’s another difference between a bra or G-string or a hat. The child is just using something to get itself excited. And the creativity of children is boundless. And sadly enough, then we shut that door and we shut another door and then we grow up and we shut another door and somebody says, you’re fat. And we shut that door and we shut. So we are in this cocoon. Debbie talks about it and her beautiful book, The Dark Side of the Light Chasers, she says where these castles and then somebody walks in and doesn’t like the living room and somebody else walks in into our castle and doesn’t like the dining room. And then we shut off all these rooms inside of ourselves until we live in the little tiny hallway on the floor between the kitchen and the bathroom. And that’s where we get to live, because that’s the only place that no one criticized.

凯蒂泰勒[00:17:59]正确的。

莲大志河[00:18:01]但是，在这里，这是我们在我们识别和承认我们是谁时，我们有的代理商，当我们认识到这一杰作时，就假装在那里没有人在那里有一分钟。没有人可以来攻击你，除了我们做得很好地滥用自己的脑子里面。我们的床上不需要坏男朋友，因为有一个糟糕的女朋友在我的大脑中坐在这里。我把机构给予这种声音。我会说，你知道，你的大脑不是一个宽敞的社区。

凯蒂泰勒(00:18:41)是的，这是一个很好的观点。好吧，我们这样做。然后它变得真实，没有证据表明它。

莲大志河[00:18:52]喜欢，当我做我的培训或我与客户合作时，雷竞技raybet提现我说，好吧，那个证据是什么？你很胖，你丑陋，你是无论如何。他们说，好吧，它在镜子里。我说，真的吗？

莲大志河[00:19:08]给我看看。因为我没有看到，你知道，我有这个美丽的女演员，一个着名的女演员，不能说出她的名字，她站在我的工作室。我们正在做一个达到的水平。我穿了一件衣服。我只是打算给你一杯水。我马上回来。我在三分钟后回来了，衣服充满了泪水。她的脸湿了。我说，你为什么哭？她对我说曾经到过镜子，她对我说，镜子里的美丽女人真的是我站在这里。 I am not that beautiful.

凯蒂泰勒(00:19:47)哇。

莲大志河(00:19:48)那就是某人。谁一直从整个世界中得到慷慨？但是里面真正发生的是营养来自世界。但如果我不能允许它，那么我的杰作只是像没有浇水的植物一样合同和萎缩。因此，自我形象疗法的工作真的看到了我在内部的蓝图和外部发生的蓝图，这是斗篷，衣服，衣柜，当时这两个人恰好是我的第二个皮肤和谐。我可以在舒适的世界中出现在世界上，因为舒适地展现在我的声音中，它在我的脸上出现，它在我连接到宇宙和世界的每一种方式都会出现。而且大多数情况下，当情况很困难并且有故障时，我选择站在我的美丽中，我选择站在我是谁的荣耀。这就是自由和赋予生命的地方，我爱，它不会从外面喂养。它从这里喂食，对吧？

凯蒂泰勒[00:21:13]是的,是的。我们能和你分享你的想法吗，尤其是在专业和职业方面?我认为这适用于所有的社交场合。我是一个修辞学家。所以我总是在想类似的事情。但是从语言的角度来看，它是如何变化的，这取决于你在和谁说话，在什么环境下，在什么群体中，以及不断变化的。是的，我觉得我们的第二层皮肤，也就是你所说的，我们的着装选择，也是一样的。正确的。它们会根据我们所处的环境不断变化。我们在某些方面,很明显,有一个衣柜和社会经济方面的一些限制,这些限制会让人内心的声音,说我不属于这里可以来自无法承受一定的衣服或符合特定设置,因为我们总是,我想,语言。 And so here’s where it comes in. As I get a rhetorical thing for me, we enter a discourse community and we listen for how people talk and we try to meet them where they’re at and connect, because at the end of the day, we all want to be a tribe. Right. And so we’re listening and we’re trying to match their language and mirror. Mirror. Yeah, exactly. And wardrobe situations I feel are so so maybe even more than language have that same kind of community interaction. So anyway, I’d love to hear your thoughts on that. It comes to navigating who we are, what kind of professional lives we want right. For ourselves and the ways that wardrobe can block or open.

莲大志河(00:23:09)是的。所以我们需要像五部分系列一样。正确的。我正在和你丈夫说话，因为我说JJ和我，我们有这些想法，我们想做五部分系列。这就是为什么这太重要了。所以我把我的一个标记是我通过赋权提供转型。选择和衣柜。所以语言的本体论，所以你是一个语言学家或......你所做的，你说你是修辞们。修辞家。好的，所以我会称之为它们的任何一个它们是相似的。 So I say this to you from a woman who dreams in five languages. I speak six or seven, I dream and five. Wow. So when I say something to you in English, it doesn’t feel the same as if I would say in Dutch I can put it and put it in me. And so if I were to speak to you in German, inside of me said something very different would be happening, or Farsi, Narvo or. Yeah, right. So it’s very different now. The same. The same. So let’s just take that context and say, OK, well, what if you’re going to France or Germany or Italy or Persia? So the context of clothing choices, let’s start there. People don’t have clothing choices. People have reactions. Most people do not choose their clothing. They think they do. But really, they’ll tell me more. I have 40 years of proof of that, so most people do not use their clothing as a frame. They use it as armor because the conversation of like is so powerful. Look, the reason why I am not in the fashion industry is because the fashion industry and I don’t want to say this about everybody, but I do know a lot about it. And they make you bleed on your own lack and then try to sell you pieces from a place if you’re not good enough. I don’t do that. I pick you up where you’re at and I want to empower you so that I don’t care where you buy your t-shirts at Target or at Neiman Marcus. You need to know what looks good on you so that when you find a piece, even especially when it’s in the secondhand store, that you can make yourself look the most magical and beautiful and comfortable and amazing because the tools you are choosing are the tools that your masterpiece needs. So I don’t believe in any of this. Oh, because you’re this you have to have these clothes in order to make yourself feel better. That’s not how my brain works. Look, I used to make five thousand dollar evening gowns. So it’s not a question of how expensive is the piece, I know that our society lives by, that our society lives by labels, our society lives by the messaging of the labels. What if you had tools in your sanctuary, in your closet? But most people don’t have closets. They have museums, they have trash cans, they have storage units. They don’t have their second skin and live in a sanctuary.

凯蒂泰勒[00:26:40]哦，告诉我更多关于这个的关于这个，你推荐什么？

莲大志河[00:26:44]不过你是对的，这部剧将会有五集。我告诉你。我之前和Stephen谈过我说我们有一个五部分的系列的想法我们真的想给你们。杰杰和我谈过你穿制服时会发生什么。好吧,是的。现在你可以穿军装了。你可以穿空军制服。你可以当法官，穿制服。你可以有各种制服。还有一些人在世界上的表现变得如此渺小，他们只穿这个，这个，这个。 And I grew up in a city called Homburg that had uniforms. Every woman had to have a pleated skirt and they had to have their Burlington’s socks and that they had the little thingies and the uniform. That means you’re this. So self-expression and understanding your masterpiece is a path to a Ph.D. in design of who you are.

凯蒂泰勒[00:27:46]我喜欢那个。

莲大志河[00:27:47]当我们孩子们，而不是一件事时，没有教导我们？

凯蒂泰勒(00:27:52)是的，根本没有。

莲大志河[00:27:53]第一的。首先，我们被告知说话。然后我们再谈。然后他们告诉我们闭嘴。然后他们告诉我们，哦，让创造力，让乐高好吧，这样做。然后你得到创意。然后你这样做。然后你在头上有着内衣从你母亲的卧室里出来，然后他们告诉你停止创造性。所以它就像推动，推，推，拉。

凯蒂泰勒(00:28:10)是的，绝对。

莲大志河[00:28:12]然后我们长大了，然后我们写诗，这意味着我们用语言用文字创造我们的生活，就像用我们的右手和左手在黑板上写字一样。我们有一块湿海绵，我们要把它清除掉。所以你是可能的创造力和可能的可能性都在我们的衣橱里。你的衣柜里是怎么回事?如果你真的观察并诚实地面对自己，你的思想和内心就会发生变化。人有不同的体型。他们打开衣柜，衣服对着他们说话。你明白我的意思。你从来都不要我。我身上总有500块。 And why are you wearing me? Guilt, guilt, guilt and cortisol, adrenaline, cortisol. And then you wonder why women are carrying belly fat and you wonder why women don’t feel sensual and you wonder what it’s like. It’s a five part series. What can I tell you? What should walking into your closet in the morning feel like in an ideal?

凯蒂泰勒[00:29:19]你知道，当你有点争取健康的自我形象时，我可以告诉你，你的衣柜里的每一件件都有一个母亲，兄弟，姐姐和鞋子，以匹配爱的所有东西。

莲大志河(00:29:36)你知道为什么他们这样做？因为每件事都必须先看起来很棒。正确的。And once it looks amazing on you, every single other piece that comes into your closet or onto your body, because it looks amazing on you, it’s going to have mothers and brothers and sisters and cousins and shoes to match and earrings and necklaces because it is all an expression of your blossoming. Now, this is the same for men. But people buy clothes that walk in a half an hour before they do, and then they leave the party an hour after the person does and totally drunk. And the only thing people remember is that you remember that red suit. Oh, my God. Was that a Picasso? What was that? But they don’t remember the person. So people don’t buy clothing to frame them. People buy clothing. Most people, before they get this work into their bodies, they don’t even know that they’re doing it. They buy clothing to hide the boobs, to hide. But I do think that either it’s not good enough. Oh, my God, I wish I was skinnier or fatter. Shorter. You know, it’s always about a Band-Aid. So when you ask what would a beautiful wardrobe look like, it’s an expression of who you are. It’s an effortless, easy, magical way to show up who you are in all your amazing this. Most people don’t have that. Most people don’t have a sanctuary. Most people have this expression. They go into their closet and they’re frustrated. They open the closet. They’re even more frustrated. Then they have to go to a party. They don’t know what to wear. They have maybe two things that are their fallbacks, but they wear 20 percent of their closet, 80 percent of the time. They go in there trying to get ready for a party. They’re naked. Their bed has a huge pile of clothes on it. Their bed is dressed and the closet is empty and they still don’t know what to wear.

凯蒂泰勒[00:31:37]正确的。

莲大志河(00:31:38)是的，那是一个装满衣服的衣柜，没什么可穿的。所以这是所有这些都是让我进入一个地方，你知道的，你可以真正学到这一点。这不是那么困难的吉语现在正在进行中。并将我视为导师，最大的快乐就是看到我的客户飙升。我从不希望任何人依赖我。我想给你一项任务。我想给你一个原则。我想给你课程，然后我想让你出去回来，了解更多，实现你所学到的，看着你的人们如何去，你喜欢什么。你怎么了？你失去了二十英镑，因为你可以这样做。

凯蒂泰勒(00:32:25)是的。你想说的是，尤其是在疫情大流行的时候，我们的穿着发生了巨大的变化。那么你的想法和感受是什么呢?你现在和客户有什么对话?我们每天应该穿戴整齐吗?

莲大志河[00:32:43]你对此有什么想法？所以当你没有裤子时，你只从腰上穿着九十五的语言是肢体语言。它将出现在你的声音中，它将出现在扣留或不讲述真相的相机上。它可以在句子的末尾出现。它可以出现缺乏你真正赋予你的语言。你知道，我正在做一个电话会议，我谈到了这三个小时的课堂上的大量思想领袖和企业主。我说，现在看，你的简历上或手机上或电脑上的相机是常春藤。您可以选择将您的真实自我放入别人的内心的工具是选择工具。对于那些在大阶段发言的人，五千，万人，一万五千人，我们不再在房间的后面了。我们是别人的圈。 Like we’re on five million people have us as speakers, as mentors on their laps, and we are in their bedroom, in their bed with them right up close. Yes, up close and so personal where they’re sitting on the toilet. I mean, for one. But no, it’s true. But this is what’s happening.

凯蒂泰勒[00:34:17]是的是的。

莲大志河(00:34:18)OK, and so this is now encouraged is even more the urgency is dialed up the urgency for your authenticity and for your own comfort level with yourself between you and you and God when you’re in the authority of who you are, when you can express your agency through this medium. People are going to know you’re telling the truth. The person on the other side, it’s not the content of what you’re speaking about, it’s the delivery of the content included in the authenticity of the bubble of who you are. Can you let another person know? That you see them. And that begins with being able to see yourself, I say this is an exercise that I give my students, my clients, I say seek your sister’s greatness rather than her guilt, seek another person’s greatness rather than their guilt, because the world today is not built to seek greatness. The world today is to blame. Going to blame this person. And the first sister that you see in the morning, the first person you see is yourself in the mirror. So go seeking your greatness and bring that greatness to this conversation. And that’s essentially that’s essentially what I do.

凯蒂泰勒(00:35:44)我喜欢它。好吧，Lianna如何，谢谢你这么多分享。从这个谈话中潜入更多的东西。我们没有更多地讨论制服。我们没有谈论肯定和事物，这些事情是我们可以改变他们的惯例和习惯以及方式，以改变我们的观赏镜子的方式。但我认为我们将使这五部分系列制服。

莲大志河[00:36:10]我就说一句制服的事。制服不能改变你的多样性。正义。这是正确的。所以，是的，当你穿着制服时，有不同的方式来表现真实。

凯蒂泰勒(00:36:24)这是一个美丽的观点，是的，我着迷于制服的方式允许某些行动和禁止其他行动，这不仅仅是文字制服。这也是我们如何出现的，即使我们在选择的衣橱里，我们也是如何。我认为，谈论何时谈到社会压力以及我们如何专业导航的时候谈论。是的，一个大的谈话进来了，但只是足够的，你知道，所有这些。

莲大志河(00:36:56)但这是大谈话以及我们对外观的意义，制服都在含义领域。所以你有你的语言领域。因此，世界上创建的一切都是在语言领域创建的。当你发表声明时。当我发表宣言时，那么我是在我生命中发表宣言的权力。好的，制服落入了这一点，所以我说这是我在世界上的宣言，因为我致力于空军或我致力于神职人员或我犯下的宣告。所以一个制服对世界说很多，那么仍然是制服后面的人。所以这是一个大主题。这不仅仅是我们不能只是说，哦，好吧，让我们刮伤这一点。这是一个深刻的话题。

凯蒂泰勒(00:37:50)是的。是的,我同意。我知道。我希望我们今天有更多的时间谈谈。你介意留给我们你已经分享了很多建议和很多关于如何重塑我们看待服装的方式。但你能不能告诉我们从明天早上听完这段对话后我们可以做些什么?

莲大志河(00:38:12)你现在可以开始它。所以我正在写一个谈话而不是穿着黑色，因为黑色是没有颜色。你们每个人都在倾听这个，你有自己的个人街区，你自己的个人块可以通过深入看着你的眼睛，看到你的眼睛颜色。看看你的头发颜色，你的眼睛颜色，看看静脉的颜色。看看皮肤中包含的颜色。那里有一种颜色。如果你的眼睛是蓝色或巧克力棕色，它是海军，如果你的眼睛是棕色或你的头发是棕色的，那就是尘土飞扬的玫瑰。这是一个勃艮第。这是紫色的。您可以穿过最黑暗的水平的颜色将是您的个人黑色。

凯蒂泰勒[00:38:57]我喜欢它。

莲大志河[00:38:58]最强大的经验是把黑色放在一个肩膀上，无声的黑色，把你的黑色放在另一个肩膀上。去站在镜子前，用光打你的脸，注意不同。因为寂静的黑色总是会让你看起来疲惫、憔悴和死气沉沉，而你个人的黑色总是会让你发光。

凯蒂泰勒[00:39:21]哇。非常感谢你的分享。我很想听到人们对此的反应和他们的实验。所以当你在听的时候，试试这个，看看你能不能找到你个人的黑人。我等不及要听你的TED演讲了。多么美妙。莉安娜，我很感激你今天抽空和我们谈话。听众可以在哪里了解你和你的工作，并了解更多关于图像治疗的知识，所以他们将得到一个美丽的小礼物系列，谈论你的基本公式，这对每个人都非常有帮助。所以你要成为。com的报价。然后用你的名字注册。这是一个美丽的小系列，告诉你你的基本公式中包含了什么。 And you can learn, you learn a lot.

莲大志河[00:40:22]如果您有兴趣，只要，您知道，在Instagram上与我联系，Facebook，转到“betheoffer。“那里有这么多知识。我爱第一个。所以我认为如果他们想要的话，每个人都应该有这种经历。有很多东西可以看到。在Instagram Liana Chaouli关注我或去Facebook并在那里跟着我。我很乐意和你联系。每个人都是一个世界，所以我了解你。它更好。

凯蒂泰勒(00:40:54)是的。谢谢你！非常感谢。我迫不及待地想要继续我们的对话，我们会让每个人都有更新，因为我们会更深入地研究这些话题，希望在未来。谢谢，祝您有一个愉快的夜晚。谢谢你的邀请。谢谢你！感谢收听本周的节目。一定要在社交媒体上关注我们，并在对话中加入你的声音。你可以在未知的内容中找到我们。雷竞技电竞竞猜